A curious emptiness permeates the work of Chris Ballantyne. Banal features of suburban and industrial zones are sources for paintings that highlight the quirky and absurd. Graphically rendered buildings, pools, parking lots, and fences take on new meanings and amplified significance, isolated on flat fields of color.

Dysfunctional structures are flawless in their strangeness, made beautiful through symmetry, simplified lines and flat, subdued colors. Ballantyne eliminates detail to emphasize the subtleties of the way we experience space and our attempts at containment. He extends these concepts further by expanding the imagery of his paintings beyond the picture plane and onto the surrounding walls. With shrewd restraint, Ballantyne accentuates the antisocial effects of our built environment with a hint of humor and plenty of ambiguity.

Chris Ballantyne received his MFA from the San Francisco Art Institute and resides in Brooklyn. He was included in the 2006 California Biennial at the Orange County Museum of Art, and Bay Area Now at Yerba Buena Center for the Arts, San Francisco, in 2005. His work is in the collections of the Whitney Museum of American Art, New York and the Museum of Modern Art, New York.

Plateau Lookout, 2012

Scenic Overlook, 2012

Parking Lot (with Palms), 2012

Office Park (Clouds), 2012

Lake Drain, 2011

Irrigation, 2012

Fragmented Landscape, 2012

Island (with Power Lines), 2012

Cliffside, 2011

Warehouse (Entrance), 2012

Fields, 2010

Flags, 2011

Untitled Backyard (Maze), 2009

Untitled, Gap, 2008

Untitled, Culvert (Waterfall), 2007

Untitled House (Mobile), 2009