| At the
most apparent level, Arngunnur
Yr paints landscapes evocative of her native
Iceland. Actually, they are more skyscape; the horizon line is near
the bottom of the
paintings, and the land is, at most, a bump of mountain in the distance.
The effect is
one of atmosphere and mood, rather than a description of place.
And our place as viewers is put into question. It is unclear whether
we are situated
on solid ground or a boat at sea. The churning clouds above seductively
anticipate a
glimpse of the celestial. But they could just as easily threaten
an oncoming storm.
The unsettling, ambiguous, and contradictory nature of this work
invites comparison
to the interior emotional landscapes we each inhabit.
The title of the exhibition, which translated means Mysterious Barriers,
comes from a
musical composition by François Couperin (1668-1733) written
for the harpsichord.
The Baroque qualities of Couperin’s music are echoed in Yr’s
vast and exultant skies.
The enigmatic aura of the work is alluring, but ultimately hinders
full comprehension
or definitive answers.
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