15 October - 23 November

M THEORY

The most revolutionary theory in physics today is M Theory. It postulates, among
other things, that the universe consists not of three or four dimensions, but rather
eleven. And in the 11th dimension exist not only our Universe, but an infinite
number of other possible universes. Some of these cosmos could operate under
the same natural laws as ours, while others could be driven by entirely different
properties and systems. They are worlds in which literally anything is possible.

M Theory, aka Membrane Theory, is so enigmatic and profound in its implications –
essentially a Theory of Everything – that scientists infer a variety of meanings to
the ‘M’ in its title, such as magic, mystery, or madness. This exhibition features
artists of boundless imagination whose work envisions other worlds. These
alternate realities might intersect with our own, tweaking the familiar in odd or
mysterious ways. Or they might involve fantastic characters and elaborate chron-
icles. They are rooted in myths, fairy tales, science fiction, superheroes, anime and
manga, virtual reality, and cyberspace.

Our culture’s obsession with the supernatural increases in proportion to our tech-
nological capacity to envision it. Movies and books like The Lord of the Rings, Harry
Potter, Star Wars, The Matrix, Crouching Tiger Hidden Dragon, and the recent
spate of superhero remakes are some examples. Even the surging popularity of TV
“reality” shows may be just another dimension of the same obsession. Within this
contemporary context, as well as its historical roots, the artists in this exhibition
gleefully leap into alternate realities as weird and wondrous as the notion of
parallel universes.

Artists include: Randy Colosky, Ann Diener, Robert Gutierrez, Joyce Hsu,
Stefan Kürten, Crystal Liu, Gerhard Mayer, John O’Reilly, Robert Ortbal,
Liliana Porter, Adam Ross, Jee Young Sim and others.





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Joyce Hsu, Damn Bug, 2005
 
Ann Diener, Field Scrim 4, 2005
 
Robert Gutierrez, Evening Empire, 2005
 
Liliana Porter, Dialogue Limit II, 2001
 
Gerhard Mayer, #40, 2005