In 1870, Heinrich Schlieman, an amateur archeologist from Germany,
excavated
a hill in present-day Turkey. In his search for the remains of
the Troy described in
Homer's Iliad, he dug through layer after layer of ruined cities.
Each city, built upon
the remains of the last, obliterated those preceding it.
Troy Story is the information age equivalent of the archeological
dig. We are
buried, bit by bit, by information—images, words, codes,
scientific theories and
trends—from spoken, written, broadcast and internet sources.
Every day, what
we know is obscured by the persistent, settling sediment of what
we learn.
Troy Story is about the quiet surface covering thousands of years
of subtle
accumulation. It is about invisible informational excess. It is
consistently drip-
ping water that erodes stone. Erasure through accumulation. Addition
that
subtracts. Knowledge that obliterates by rendering the learner
numb.
Troy Story is about the impossibility of understanding.
Artists include Jesse Amado, Noriko Ambe, Jim Campbell, Nicole
Phungrasamee
Fein, Ron Griffin, Jacob El Hanani, Marco Maggi, Stefana McClure,
Liliana Porter,
Ed Ruscha, Jean Shin, Katrín Sigurdardóttir, Ken
Solomon, and Hiroshi Sugimoto.
Curated by EC Projects.
related article:
Hosfelt
Gallery show suggests we're blinded by information
by Kenneth Baker
San Francisco Chronicle
July 10, 2004
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Installation view with works by (left to right) Maggi,
Shin, McClure, Sugimoto, Campbell, and Sigurdardóttir

Installation view with works by (left to right) Ruscha,
El Hanani, McClure, Maggi, and Sigurdardóttir (floor)

Marco Maggi, NINE SITES (South dddrawing)
and NINE SITES (West dddrawing)
2004, incisions in paper, 24" x 18" each
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