13 October - 21 November

 

STEFAN KÜRTEN
Darker With The Day

 

Myth and reality converge in the paintings of German artist Stefan Kürten.
City parks, suburban backyards, corporate courtyards, and industrial park
landscapes embody the search for a natural but contained utopia, with
everything in its right place. These works masterfully simulate such
artificially idyllic places while belying the dark, desperate futility behind
them.

For several years Kürten's work has been about creating sites that don't
exist at all, but that remind us of places we've seen or been to before.
Sometimes incorporating bits and pieces of architecture from photographs
-- banal office buildings, familiar houses -- he creates the "perfect"
composition, an archetype that we recognize and accept as authentic. His
most reent work combines several painting styles he's explored in the
past few years. Interweaving realistic, scientific, and symbolic approaches
to landscape on a single canvas, Kürten examines how we perceive
nature in its perfection.


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Sorrowful Wife, 2001
74" x 56", oil on canvas

BOB LINDER
da face

 

Bob Linder, a young San Francisco-based artist, pushes the limits of digital
video into the realms of distortion, ambiguity, and abstraction. Variations on
performance are played out as he throws, drags, and shakes the camera,
stands still before it, or implies his own presence through the unnatural
movement of an object. This new work involves a grotesquely compelling
examination of self-portraiture through the slow, distorted motion of his
face in a mirror.

Linder received his BFA from the San Francisco Art Institute in 1998 and is
currently working towards his MFA at Stanford University.

 



still from da face, 2001
digital video