San Francisco-based, MIT-educated Jim Campbell is
known for his "conceptually rigorous, poetically inven-
tive and technically masterful" work where digital in-
formation and video imagery are the media. In this
exhibition of new pieces exploring themes of memory
and association, Campbell, for the first time, utilizes
color. The pixel, representing the digitization of imagery,
is the key to the exhibition. Individually and collectively
pixels serve both to reveal and conceal information, as
the viewer is forced to rely upon their memory to inter-
pret the work.